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      The Bird on Roof Bankby Sy Schreckinger – ANTIQUE TOY WORLD Magazine – December, 
      1984
      Although mechanical penny banks 
      achieved some degree of sophistication during the time of their 
      manufacture, there were those produced that reflected a naive and 
      primitive quality. Examples of the latter include: "The Springing Cat" 
      bank, with its subject expressed in oversimplified detail and painted in 
      the classic primitive style; "The Sportsman" bank, displaying a 
      simplistically-styled uniform; "Jonah and the Whale," with a larger-than 
      life Jonah emerging from the whale's mouth; "Organ, Cat, and Dog" and 
      "Organ, Boy, and Girl" banks, each with a disproportionately large 
      hat-tipping monkey; and "The Bird On Roof"  bank, the subject of this 
      article.A comparison of the patent drawing (Fig. 1), the final production 
      bank (Fig. 2), and the patent description of the "Bird On Roof" bank lead 
      one to speculate as to why the patentee would represent what, in the 
      patent papers, is obviously a Gothic church, as a cottage. Possibly, it 
      may have been thought that a religious connotation would limit the sales 
      potential of his bank.
 The design of the "Bird On Roof" bank was patented on March 5, 1878, 
      by Elisha Stevens and assigned number 
      10,509. The words, "PAT MAR 5 '78" 
      are cast into the underside of the bank.
 The "Bird On Roof" bank possesses a simplicity and arresting 
      tranquility; it reflects an era that was concerned with quality and 
      appreciation for natural beauty. The delicate casting details and subtle 
      coloration simply add to its attractiveness.
 The "Bird On Roof"  bank was manufactured by the J. and E. Stevens 
      Company of Cromwell, Connecticut. The initials "J" and "E" were the 
      initials of John Stevens and Elisha Stevens; Elisha was the designer and 
      patentee of the bank.
 The Stevens' foundry began its business as a manufacturer of cast 
      iron hardware during the early 1800s. It was not until the late 1860s that 
      the foundry began to produce cast iron penny banks. The height of Stevens' 
      prosperity was simultaneous with the heyday of the mechanical bank 
      (1880s). It was at that point that the foundry became the world's leading 
      manufacturer of cast iron penny banks.
 The action of the "Bird On Roof" is extremely simplistic. A coin is 
      placed into a groove atop the bird's head. The wire lever (Fig. 3) is then 
      pressed inward, causing the bird to tilt downward. The coin rolls into a 
      slot in the chimney, thus being deposited into the bank. Removal of the 
      coins requires removal of the base of the bank. This is accomplished by 
      undoing two small screws underneath the base. The bird is reset 
      automatically when it is straightened into the upright position, as shown 
      in Figure 2.
 The "Bird On Roof" is a difficult bank to acquire, particularly for 
      the collector who seeks one that is all-original and unbroken. The 
      complexity of coin removal might account for its rarity. It is easy to 
      imagine a young child attempting to remove the two base plate screws in 
      order to gain access to the bank's contents and having the bank slip from 
      his hands and crash to the floor. Or, perhaps, he may have smashed the 
      entire bank in order to get to its entrapped treasures.
 There are two casting variations and several color combinations for 
      the "Bird On Roof" bank. The mechanical pictured in Figure 2 has a purple 
      japanned roof; the bird has a gold beak, a gold stripe down its back, and 
      gold wings and tail which are over-painted with purple japanning. It also 
      has a black crest on its head. The sides of the house are decorated in 
      gold, silver, and purple japan; the circular design on the chimney is 
      painted gold. I have seen this bank also painted in an overall brown japan finish with gold highlighting on the roof; a bird with gold wings, 
      beak, and tail; and the sides of the house decorated in gold and silver.
 The casting variations are primarily concerned with the pedestal on which 
      the bird is perched. One pedestal is made of thick sheet steel, while the 
      other, besides being made of a thinner material, boasts of a more delicate 
      design. Neither adds to nor detracts from the bank's value.
 An exceptionally fine "Bird On Roof" mechanical bank possessing an 
      attractive color scheme will generally command a premium price.
 Because of the extreme fragility of this bank, the prospective buyer 
      should be wary of repaired, replaced, or re-cast parts. When this bank is 
      finally located, all too frequently it is discovered that the bird, as 
      well as the delicate fretwork in the arched windows, has been repaired or 
      replaced.
 The "Bird On Roof" bank has been reproduced. The base diagram (Fig. 
      4) may be helpful to the reader in discerning an original from a recast. 
      The recast version will appear approximately one-eighth inch shorter in 
      length.
 As a final note, it is difficult for this writer to resist the 
      temptation to express his personal views: the exceptional casting, 
      graceful lines, and quiet but eloquent coloration truly make the "Bird On 
      Roof" bank a mechanical for the discriminating collector.
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